Safety Not Guaranteed

Gravity Index: 5

Safety Not Guaranteed offers a charming mix of indie comedy and emotional drama, using the concept of time travel as a metaphor for personal growth rather than as a high-concept sci-fi element. The film focuses more on the human side of the characters than on the mechanics or consequences of time travel itself, providing a light yet heartfelt exploration of connection, belief, and second chances. It’s a film that feels grounded despite its fantastical premise, making it more about relationships than science.

Released
06/15/2012
MPAA Rating
R
Runtime
86 minutes
Collections
Language
English

Tone:

The tone of Safety Not Guaranteed balances humor with moments of introspection and emotional depth. The premise of a personal ad seeking a time travel companion is treated with a sense of curiosity and lightheartedness, but as the story unfolds, it also touches on themes of loss, regret, and belief. While there are comedic elements throughout the film, there’s an underlying serious exploration of human vulnerability and trust. This balance places the tone in the medium range.

Consequence:

The high-concept element of time travel in Safety Not Guaranteed doesn’t have major, world-altering consequences—at least not until the end, where the possibility of time travel being real becomes a focus. Instead, the film’s stakes are more personal, centering on the emotional growth and connection between the characters. The potential consequences are left ambiguous but feel significant on a personal level for the protagonist. This puts the consequences in the medium range, as they aren’t grand-scale but still impactful.

Depth:

Safety Not Guaranteed doesn’t dive into the mechanics of time travel or offer much in terms of scientific explanation. Instead, the film uses time travel more as a metaphor for the characters’ emotional journeys and their desire to undo or revisit parts of their past. There are a few philosophical musings about belief and reality, but they remain secondary to the interpersonal drama. This places the depth at a lower to medium level.